Jessie Cox - drums/Sam Yulsman - piano

Our work together spans a multiplicity of musical codes, methodologies and disciplines.   Different strains of jazz, contemporary classical, and electronic music are often at the center of our improvising and composing, as are collaborations with other soloists and groups.  In addition to our performance work and recording projects (Weaving Music Gold Bolus April 2020; String Noise Sounds Infrequent Seams 2023), our work includes a co-authored essay Listening through Webs for/of Creole Improvisation which reflects on our embrace of the creolizing potentiality of the Web and of listening through Afrofuturistic modes of engagement with technology, space and time where information theory is decoupled from the need for predefined codes of understanding. 

Co-authored article: Listening through Webs for/of Creole Improvisation; Critical Studies in Improvisation Vol. 14 No. 2